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As I noted in my post about Brussels, one of the little surprises that I really enjoyed about Brussels were the murals depicting some of Belgium’s Beloved Comic Strips.
I have learned since my visit that there is an official Comic Book Route which includes 42 pieces in the centre of Brussels alone, plus a bunch of others in some of the city’s suburbs… and I am almost tempted to go back to Brussels just to check it out!
On my post about Antwerp, Belgium, I referred a few times to a local legend about a giant: a legend that kept popping up in various parts of the city, and which is embraced by the city as part of its folklore.
Well, the legend, as it goes, is about a giant named Antigoon, who lived in Antwerp two thousand years ago. The giant built a fortress at the edge of the River Scheldt, and demanded passing boats to pay a toll. If the sailors were unwilling or unable to pay, the giant would cut off one of their hands, and throw it into the river.
Eventually, the giant was slain by a Roman warrior (Brabo), who proceeded to pay homage to the giant’s victims, by cutting the giant’s hand off, and throwing it into the River Scheldt.
The legend is meant to explain where the name of the city, Antwerpen, came from; in Flemish, “hand-werpen” means “throwing hands.” The idea of Antigoon’s hand, now sunk at the bottom of the river, also symbolizes that the river is now a free sailing zone, important as the city’s port has been Antwerp’s biggest source of revenue through its entire existence.
The Giant’s legend is visible throughout the city: the Brabo Fountain outside City Hall in the Grote Markt, built in 1887, depicts the hero Brabo throwing the hand into the river; a sculpture of a giant’s hand is found in Mair Street, the city’s main shopping street; there is also a statue of a giant at the entrance to Het Steen, the city’s fortress. Even more, the hand is even depicted in the city’s coat of arms!
A couple of days late on wishing everyone a happy Day of the Dead. This is one of my favourite celebrations in the entire year, one that makes me extra proud of my Mexican heritage.
This is a photo of my first attempt to make the typical Day of the Dead Bread (Pan de Muertos)… As I brought a little taste of Mexico to London, England, at a party my flatmates and I hosted last Saturday.
Below is another craft I made (one of 36 pieces I made), a piece of traditional Papel Picado, which is also a typical decoration for Día de Los Muertos in Mexico. This form of art is regarded as part of the folklore of the country, and protected as a cultural heritage art… Of course mine is an amateur piece, but not bad for my first time since I was a child!
One of my favourite celebrations. Today, I’m even wearing my Nightmare Before Christmas belt I got during my Halloween trip to Disneyland in October 2012! Even got a photo with Jack Skellington himself!
Enjoy the celebrations!
Last week I made my way over to the Tower of London to check out the World War One memorial poppies, a beautiful (free!) art installation running through the Summer and Autumn until November.
The exhibition, named Blood Swept Lands and Seas of Red, contains over 888,000 ceramic poppies, which are being “planted” in the Tower’s moat over the summer. There will be one poppy for every British military casualty of the First World War.
One of the coolest parts of this installation is that it continues to evolve throughout the summer, as new poppies are planted every single day, continuously growing the display until all ceramic poppies are planted.
Throughout the summer, anyone is able to buy a poppy (for £25.00), which they’ll receive as a keepsake once the installation comes to an end in November.
If you are in London, go check out Blood Swept Lands and Seas of Red, it’s well worth the trip over!
One year ago today (25th September) I arrived into the United Kingdom for the next chapter in my life.
On my first day, I wandered around London’s South Bank with my friend Alison, falling in love with the beauty of the area. Tonight, I found myself accidentally wandering around the same place with my friend Adam, before I realized I had done the same thing on my very first day in London, exactly one year ago!
What can I say, my move to London has been incredibly amazing, and I honestly can’t believe a whole year has flown by. In this past year I have met so many incredible people and done so many great things.
Here is to many more amazing adventures in this wonderful city!
Yesterday I wrote about the grounds of the London Wonderground and mentioned the carousel bar… yes, this is a bar built inside a carousel that actually rotates, with the bar in the centre of the carousel, and the horses serving as tables.
One of my favourite parts about this year’s Wonderground… go check it out before it’s taken down until next year!
A couple of months ago, I wrote a review about the show Limbo at the London Wonderground, a great cabaret / circus hybrid show that blew my mind. Yesterday, I had the opportunity to check out another cabaret-style show at the same venue, in the form of the very sensual, extremely comedic, Australian sensation Briefs: The Second Coming.
The London Wonderground grounds have expanded over the summer (since my first visit to see Limbo), to include a much larger sitting area which includes more bars and eateries.
The Wonderground is meant to resemble an old-style fair / amusement park, and now also includes popular fair games, an amusement ride, and a carousel bar. Yes you read that right, a bar build inside a carousel that actually rotates, with the classic carousel horses serving as tables!
The stage for Briefs, is the same one used for Limbo, built inside an old-style circus tent (the Spiegeltent). A circular stage in the middle of the tent is surrounded by arena seating, with booths for bigger groups not he outskirts of the tent.
Briefs: The Second Coming
Briefs is an australian, all-male cabaret show which merges together a number of acts, including burlesque (boylesque?), drag, and circus acrobatics. Often described as an ‘Aussie Cirque du Soleil meets Ru Paul’s Drag Race,’ this show is sure to entertain anyone who likes laughter. Or scantily clad men. Or fun.
What most surprised me about the show was probably its audience. Being a show built around showcasing the bodies (and ok, talents) of beautiful men, with strong nods to gay culture (drag queens, cross dressing, etc), it was surprising to see a large number of straight couples enjoying Briefs… but I guess that is the fun of events such as the Wonderground, which are welcoming to everyone who has an open mind. After seeing the show, I would definitely recommend it to straight people, and be sure that they would enjoy it, because it is fantastic.
The show is hilarious from the beginning, thanks in large part to its incredible MC host, Australian drag superstar Fez Faanana, who may just be the funniest queen I have seen in my life. Her comedic ability is incredible, not to mention that it has no boundaries, and is non-stop, through the entire 75-minute duration of the show.
But laughter is not everything that we wanted to get out of this show; after all, with a name like Briefs, we were hoping to see some skin… and believe me, Briefs delivered skin. Through a series of acrobatic, comedy, drag, and classic burlesque acts, the boys at Briefs flaunted their beautifully-toned bodies throughout the show. I went in expecting to see men in briefs, but was greeted with everything from briefs, to jockstraps, to thongs, and even what can only be described as penis-sleeping bags (I’m sure there is a proper name for them, but this sounds… cozier). Surprisingly though, the almost-nakedness was delivered, for the most part, in a sensual, tasteful way. With a dash of skank here and there, to spice things up.
Each of the six members of Briefs contributed something different to the show, whether it was comedy, drag expertise, burlesque acts, or acrobatics. The numbers were often performed solo, but sometimes the team came together to perform, whether it was a choreographed routine, or everyone doing their own thing in a way that complimented each other’s acts.
Briefs began with a sexy dance number with all the cast, and a hilarious introduction to the show by Faanana. Afterwards, we were treated to our first circus acrobatics, with the gorgeous contortionist Thomas Worrell showing us that he knows how to work his body around a ring suspended in the air. Newcomer Adam Krandle was introduced afterwards as a untamable monkey with a love for bananas… a running joke that kept creeping up throughout the show. The graceful Dallas Dellaforce was the only typical drag queen in the show, mostly lip-synching through her numbers, with dashes of good ol’ Aussie humour. Then there was Louis Biggs, a 20-year-old eye candy who instantly became the lust of everyone in the audience, with a boy-next-door smile that made everyone melt int her seats. Finally, Mark Winmill, who is a top player in the boylesque scene, delivered a number of incredible performances that left the entire audience feeling a little hot, and topped the show off with an exciting finale that is splash-worthy (spoilers!).
Instead of using an original music score, Briefs borrows current pop music for its show, as an homage to classic burlesque / drag culture. The music is all replays of the original tracks, which means there is no live music in the show, which, for this show, works perfectly.
Briefs was flawless, and it’s so good I dare say I’d be up for re-watching it. I highly recommend you make your way down to the Wonderground and check the show out before it’s over. Briefs runs every night from 7:30pm until the 28th of September 2014. For tickets, visit http://briefsfactory.com/
I have just returned from an amazing trip to Florida, sponsored by British Airways, Visit Tampa Bay and Visit St. Petersburg / Clearwater. I will eventually be writing more about these destinations in detail, but as a little preview for now, here are some photos of the amazing pleas I got to visit.
A bit of a city break, some cultural aspects, some nature, and some beach. Lot’s of food and drinks at trendy restaurants and bars. A trip to remember for sure!
Earlier this month (on the 16th of August 2014), I returned to Cardiff, the beautiful capital city of Wales, to attend Pride Cymru, the official Pride celebration not only for the city, but for Wales altogether. I made a weekend out of it, visiting with my friend Adam, and met many of his Welsh friends.
I really enjoyed my time in Cardiff, spent surrounded by great friends, and the Pride Parade and festival was a great centre piece to the weekend.
Pride Cymru was my third (and final, for this year) Pride festival of 2014. Like the Brighton and Hove Pride, I felt that Cardiff organized the parade and festival much better than Pride in London. The weather held out, a little overcast with many sunny breaks, and warm enough for us to enjoy the whole day outside.
The title of this section should really be named: The Shortest Parade in the World. I honestly couldn’t believe that the parade had come to an end when it did: about 15 minutes after it started. Having said that, it was still lively and colourful, and it flowed through the parade route without any delays.
The biggest downfall of the Pride Wales Parade was that the different floats were often too close together, so it was impossible to read at times the banners which they carried, so most of the time I had no idea who was sponsoring what. As a parade it was fine because attendees were treated to music and dancing and lots of colour, but it didn’t really allow the sponsors to showcase their causes all the time.
Good points were: the music was fun and lively, and everyone really seemed to be enjoying themselves, both the attendees and the march walkers. Despite being an overly short parade, it was fun enough, and because of the route, we were able to watch it from the street near the beginning of the route, and then again from a pub at the end!
The Main Event
The Main Event was held at Cooper’s Field, near the Cardiff Castle, and was fantastic… once we finally got in anyways.
Getting into the event was a bit of a pain due to a bit of disorganization (which to me was the only major flaw of Pride Cymru), as everyone who had pre-purchased tickets had to stand in a queue, to switch our e-tickets to cardboard tickets, which then had to be scanned to enter the park. Pointless to get an e-ticket with a bar code which doesn’t work, but despite the long wait to get in (I speculate it took us nearly half an hour), things got better right from there.
The Main Event was a festival-style fair similar to the one in Brighton Pride, with a few amusement rides, a section with tents advertising LGBT-related causes, and two sections on either side with food outlets. The event also had multiple bars spread around Cooper’s Field, and show tents with different performances scheduled throughout the day.
My friends and I spent most of the day going between the Main Stage and the smaller Cabaret Tent. The Main Stage had a number of performances by semi-famous singers (none of which I knew, to be honest!) and choirs, while the smaller Cabaret Tent had drag shows and smaller performances.
The cost of food and drinks at the event wasn’t outrageous, with a Turkey Sandwich coming in at £5 and pints of beer at £4 each.
The Incident of the Broken Tooth
I can’t talk about Pride Cymru without bringing light to my (personal) biggest downfall of the event: the incident of the broken tooth, or what I like to refer to as “My hero complex #fail.“
I do have to note that throughout the entire event, I kept seeing groups of police men and women walking around the grounds at the Main Event, which makes me believe the event was safe overall. That’s why it was so surprising that, on my way to the toilet in the evening, I saw a couple of attendees in a full-on fist fight.
Call me crazy (I prefer the term whisky-fuelled insanity), but I felt it was my duty to attempt to stop the fight. My attempt was greeted with a side punch to my jaw from one of the fighters, which resulted in a big chunk of my wisdom tooth being knocked off. At the time I got punched I gave the fighters my classic “Oh no you didn’t” look, shrugged my shoulders to signify “I don’t really care if you stop fitting or not,” and walked away (mostly because I didn’t want to get involved in the fight).
The two people who had been fighting stopped (I think they realized how dumb they were being), and I walked away, broken toothed and pissed off. It took me a little angry cry in the darkness for a few minutes, and then the realization that there was nothing left to do, so I went back to dancing with my friends, determined to not let the issue ruin my evening!
The rest of the weekend was filled with non-pride activities, such as a visit to the Doctor Who Experience and an afternoon having wine and pub grub in a sunny patio by the bay… but I will write about Cardiff more in a very far away future, once I get myself up to date with my past travel stories!
Two weeks ago I went to see the West End production of Once, playing at the Phoenix Theatre in Soho. This was the first professional theatre show I’ve gone to see in London’s West End since the day I moved to the UK, when I went to see Les Miserables (back in September 2013!).
I knew nothing about the show before I went to see it, but absolutely fell in love with the story, the music (so good!), but most of all, with the show itself. I can say this is a musical like I’ve never seen before, and I loved the way it was produced (keep reading).
Once really left a mark on me, and it is hard to pinpoint exactly what it was about the show that has had me thinking about it constantly since I went to see it. I honestly recommend you go see this musical if you are in London, it will not disappoint.
THE STORY of Once, which is based on an Oscar-winning film, is set in Dublin, Ireland, and follows Guy, a young busker who has lost his passion for creating music, as he feels no body is interested in hearing it anymore… that, and his heart is still broken after his girlfriend moved to New York months prior. Guy’s depression with the current state of his life is turned around by meeting Girl, a Czech immigrant who slowly makes him realize that he has a talent that needs to be shared. Together, Guy and Girl embark on a journey of discovery together.
Without giving too much away, there are a few plot twists popping up all over the place, and of course a number of other characters that aid to move the story forward. Once does have a little bit of a romantic storyline, although I think in the end it is much more about friendship and belief in one’s own abilities, than love.
The portrayal of the characters (especially Girl) is a little over the top and almost makes a mockery of them, but the excesses sort of work for this show. Once also has plenty of funny moments that literally made me laugh out loud.
As mentioned beforehand, Once takes place in Ireland, so it is only fitting that the stage of the show is that of an Irish bar (one in the shape of a semi-circle). Interestingly enough, a very small portion of the story actually takes place in a bar, but the set works well. Sidenote: A little interesting fact you might want to know if you plan on going, is that, during the intermission, the set actually turns into a working bar, so hop up on the stage and go grab a beer!
So how does a stage that resemble an Irish bar, not be used as an Irish bar? Well, that was one of the things I really enjoyed about the show. Once focuses more on the acting and the music than on the stage itself, so the story is told using only a few props, and a whole lot of imagination. Chairs and tables are moved around the stage to fit whatever the needs of the scene are; for example, three chairs lined together may serve to illustrate a bed, a couch, or… well, three chairs. Likewise, tables are sometimes used as tables, although in one scene they are desks at a bank. The bar itself is also used in many ways, either as an actual bar, as a surface for the actors to dance on, or simply ignored altogether, as if it wasn’t there.
Lighting is probably the most utilized tool, used to emphasize certain spots of the stage, creating “spaces” with the light and the shadow, so the rest of the “Irish bar” doesn’t distract from what is actually going on in the story. There is also a small portion of the show played above the stage itself, where the entire bar becomes the ocean (this will likely make more sense once you go see the show!).
The single most important part of this musical is its music. Yes, that can be said about pretty much every musical in existence, but I honestly believe it is more crucial to Once than any other show I’ve ever seen.
It is not only about the music itself, which is beautiful, or the singing (although let me tell you, just thinking about the voice of David Hunter – who plays Guy- gives me chills), but about the way the music is created on the stage. What makes Once so unlike any other musical I’ve ever seen, is that each actor on the stage plays an instrument, so there is no separate orchestra to the show, but a bunch of really talented people doing what they do best!
Throughout the show, all the actors remain on stage, sitting along the semi-circle walls of the set. As their characters are needed, the actors will get up and join the centre stage, going back to sit down after their characters “exit” the scene. While sitting down though, the actors continue to play their instruments as needed. Instruments are also obviously played centre-stage as well, as music is a huge part of the story itself.
Another thing that really struck me about the music, is the variety of instruments used, as everything from a guitar, to drums, to violins and even an accordion make an appearance. Not only that, but most actors will play more than one instrument throughout the show… which to someone without any musical talent (I’m speaking about myself here), seems pretty impressive.
One last note, back to the singing. The singing in the West End production I went to see was flawless and I honestly felt goosebumps more than once throughout the show. Not only that, but the score itself is beautiful, with songs that really leave an impact.
Once didn’t have an immense amount of dancing per say, but there was a fair bit of choreography to accompany the music. The way the show was presented, it at times felt more like being at a gig, rather than a musical production.
I went to see Once without any expectations and really enjoyed the show… I did so much, that I find myself talking about it or tweeting about it, or quietly singing the songs to myself even now, a couple of weeks after watching it. I’m even really wanting to watch the movie on which the musical is based on, as I want to see where it all began.
Once is composed of beautiful elements, from the music to the storyline, and is so heart-warming that it honestly makes me want to chase my dreams, and be a better influence in other people’s lives. The storyline is relatable and bittersweet, with dashes of charm and really funny moments.
As mentioned earlier, the way the show is portrayed, it almost feels more like going to see a gig than a musical. If you are in London and want to check out a West End musical that is unlike anything else you have seen, go to Once!
To check out more about the show, visit their official site at www.oncemusical.co.uk. There are also some great summer discounts available through ticket master, so check them out!
My Rating: 4½ stars
It’s been roughly three years and a half since I got my very own website and officially started my travel blog, and what a ride it’s been. I am honestly surprised that in this time I’ve had over 50,000 individual views on my blog.
So far in my life, I’ve traveled to 23 countries… Very far from the 30 countries I had hoped to travel to before I turn 31 in September, but I have still made incredible memories traveling extensively through these places. My writing is a little behind, so there is still much more to come on travels I’ve already done, plus all the travels I plan on doing in the coming future!
I know it sounds cheesy, but I honestly want to thank each and every one of my readers, who has taken any time out of their life to visit my blog, whether it is to read about my travels, or just browse through my collection of photographs. Whether you are one of my loyal readers who visit often, or you’ve only visited my blog once or twice, you’ve inspired me to keep up with the blog, and continue to share my travel stories.
Thank you very much for visiting; I hope you’ll continue to support my blog in the future. On my part, I will try to be better at updating more often, so you have a reason to come back!
Thank you, thank you, thank you!
PS. I have finally given in and created a Facebook page to go with my blog. Like my page if you want to connect on Facebook!
Last Saturday I headed down to Brighton to go to one of the UK’s most popular pride celebrations, Brighton and Hove Pride. The event, which at a 160,000 attendees surprisingly has about four times more attendees than Pride in London, surpassed my expectations, and my friend Shane and I had a great time.
This was my first visit to Brighton, which is located just south of London, a quick 1-hour train’s journey, on the coast. As we were there only for the pride celebrations, we didn’t get to walk around the city much, but from what I saw, I really want to go back and explore the city a little further. It was also nice being on the coast… I realized I hadn’t been to the sea since my trip to Tenerife in the Canary Islands this past January!
Shane and I wanted to go overnight but due to pride (and our planning last-minute!) most hotels were sold out, and the remaining ones were only available at outrageous prices; however, given the closeness to London, it was easy enough for us to go as a day trip, and still have a great time taking part in the celebrations.
The weather was mostly sunny, with a little bit of cloud cover and about five minutes of heavy rain, but it was pretty warm all throughout, even at night. The crowd was also great, a good mix of people of all ages (including many families), just having fun and enjoying the parade and celebrations.
The Brighton Pride parade itself was a spectacle to behold, and everything I have come to expect from a pride parade. If you read my post on this year’s Pride in London, you will know that I was extremely underwhelmed by the UK’s capital’s pride parade. Happy to say, Brighton more than made up for it, and it’s restored my faith in the ability of the UK to hold world-class pride events that are well worth visiting!
Brighton is a fairly small city, and is easily walkable. The parade itself started near the beach and went across the city itself, culminating at Preston Park, where the official pride fair / market / party was held. While there weren’t that many floats, there were enough to make the parade last a little over an hour, which in my opinion was a perfect length for it.
The one thing I enjoyed most about the parade, is that it felt like a street party more than anything. Unlike Pride in London, which separates the parade from its viewers by an unsightly system of fences, Brighton Pride was open, and I felt, as a viewer, part of the festivities. Brighton Pride reminded me a lot about Vancouver Pride (in the feel of the parade itself, and even a little on the sea-side setting!). I can even say there is one thing I enjoyed more than my multiple visits to Vancouver Pride over the years (a pride parade and festival that I love): in Brighton, I was able to openly have a few beers during the parade due to less-strict alcohol laws!
The floats in the parade were nicely decorated, and all participants seemed to be having a great time, dancing along and interacting with the attendees. The crowds (both in and out of the parade) were mixed, about 50/50 men and women, and included people of all ages, including multiple families (with a large number of non-LGBT families), which was great to see… and of course, Brighton’s “Oldest Gay in the Village,” a local celebrity.
While the parade was light and fun, with lots of rainbow flags, colour, bubbles, and a healthy percentage of drag queens and sexy men in booty shorts, important issues were also addressed. Some of the most shocking included a march with one participant carrying a banner for each of the countries in the world that still criminalize homosexuality: an important reminder that we sometimes forget. Closer to home even, the “End Homophobia in the Commonwealth” group, addressing the fact that, while the Commonwealth Games were being held in Glasgow, Scotland, at the same time as the Brighton Pride parade, about 80% of the Commonwealth nations still criminalize homosexuality based on antiquated British laws.
The Park (Festival at Preston Park)
The Brighton and Hove Pride parade finished at the entrance to Brighton’s Preston Park, which happens to be where the main pride festival / party was held that afternoon and into the evening.
The park was a ticketed event, and by the time Shane and I organized ourselves we ended up paying £20 each for our tickets, but if booking early (memo to self for 2015, if I can make it back) one can get tickets for £10 per person! Tickets at the door were £25.
Preston Park‘s pride celebrations had large open spaces in which attendees could relax in the sunshine. The festival also included a fun-fair area with rides (we were drinking so did not go on any because that probably wouldn’t have been a good move!) and a large expo-style market with tons of booths educating visitors about different LGBTQ organizations, advertising political parties or government bodies, or promoting other LGBT-specific activities, such as the Gay Men’s Chorus. There are also a few others that are simply advertising personal businesses for products that might be interesting to LGBT, but not exclusively for gays and lesbians.
The rest of the park was set up with multiple tents, some which were bars, and some which housed dance floors. The dancing tents were fairly fun, although we soon realized they were all playing pretty much the same music, a techno-house mix that was perhaps a little too early in the day to enjoy. Even though the tents were supposed to appeal to different groups of people (ex. the “Bears and Men’s” Tent), the lack of music variety was probably the festival’s only major downfall. Other than that it was very fun!
The bar tents were surprisingly efficient, with queues going through quite fast, so we never had to wait long before we had another beer. Also, for a festival, a £4.50 charge for a pint of beer was quite reasonable and similar to most bars out in Soho in London. Outhouses and urinals were also numerous and spread out throughout the grounds, with queues sometimes taking a little longer, but never excessively long.
The Main Stage at the festival was probably the centre point of Preston Park, and had day-long singers and performances, which were quite good, including some decently big ones like Blue, Frank Musik, and Katie B. The area in front of the main stage was a big dance floor and everyone seemed to be having a great time, so overall, the celebrations at Preston Park were well worth the admission fee.
I have been waiting until now to go to Brighton, and I can’t wait to go back now.
As mentioned above, because we were there mainly for Pride, we didn’t really get to see much of the city, although we did take a break in between the parade and the festival at Preston Park to go down to the beach and have a few beers. The beach in Brighton is rocky, but still quite scenic, and the city itself has that distinct feeling of a coastal town.
After the beach, as we slowly made our way towards Preston Park, we also stopped at a park that had a food fair going on, to grab a bite to eat, and then stopped at one of the pubs in the city (Brighton Tavern) to grab a pint. After the festival ended, before catching our train back to London, Shane and I returned to the tavern for a couple more beers, to socialize with the locals.
Brighton and Hove Pride 2014 was a great event, and I enjoyed every part of it. Definitely on my list of Pride festivals to go to next year if I am able to… in the meantime, I really need to make a day trip to Brighton happen, to explore the city a little better on a less heavy-packed day!
Fair warning: This post contains adult-themed material. But don’t worry, this is aPG13 blog after all, so “adult” advisories can be taken lightly. (Note: the show I am about to discuss IS intended for audiences 18+ years). Oh yes, and be warned, this post is gay. VERY gay.
So here it goes. I went to see Bathhouse: The Musical!, at a small theatre in Vauxhall, London. The show was put on by an amateur theatre production, but was originally created in Orlando nearly a decade ago. There were parts I enjoyed about the production, and while some parts of it could definitely be polished up, it was a good show over all.
The Theatre: Above the Stag Theatre
First of all I want to rave on about this small theatre a little, as I really liked it. The theatre, built under a railway arch in Vauxhall, an area in inner / southern London. Building businesses under railway arches is quite common in the UK, but for me, begin a foreigner, this still seems fascinating and quirky.
Above the Stag Theatre has a welcoming foyer / bar at the entrance, in which the theatre goers can enjoy drinks and conversation before and after the show, as well as on intermissions. As the place is quite small, it creates a cool, intimate atmosphere, that is great for interacting with others.
Decor is quite simplistic, mostly consisting of a few pieces of black and white furniture, with walls decorated with the posters of previous shows running at the theatre. The bar is quite well stocked (given the size of the venue).
The theatre portion itself, in a room adjacent, is small enough to tightly fit 60 seats, with a stage that is at the same level as the first row of seats. The theatre is small enough that it works well with the acoustics of the shows, projecting the sounds without much need for sound equipment. Being built under a railway arch, every so often it’s possible to hear a train transiting above the stage, but again, I found this more fascinating than distracting!
I’d definitely be up for visiting Above the Stag again.
Bathhouse: The Musical!
The musical is obviously a gay-themed musical, set nowhere else than in a gay bathhouse. Not being a personal huge fan of SIPV, I got to admit that I was a little skeptical about the premise of the show, but it was funny enough to enjoy – if you take it lightly, and come in with the expectation that the content in the musical will not change your life.
The set of the musical is very simple, mostly consisting of a backdrop of showers, two benches which were moved around pretty much for every scene to fit the needs of the choreography, and a few lockers. Costume-wise, apart from the beginning 2-minutes in which the main characters are introduced, most of the costumes consist of white towels in the first half of the show, and brightly coloured towels (with each of the five characters donning a colour), for the second half of the show. A last costume of incredibly gaudy sequins-covered towels were used after the show for the ‘encore.’ Oh yes, and let’s not forget a little bit of PG13 nudity added to the mix.
Without giving too much away, the musical follows Billy, a young boy who is discovering the bathhouse for the first time. He is looking to find the man of his dreams, but soon discovers that most of the goers are there for less permanent relationships. Through his time there, he gets to know a few of the characters, with special affection for Maurice, who isn’t really in an emotional place to be the man who Billy needs (insert plot twist). The other three characters help to move the story ahead, but are not crucial to the main storyline.
Being a musical, a large portion of Bathhouse consists of music. Many of the songs are downright silly, with enough composition to make them work, but lacking any sort of meaningful content. However, I’d be lying if I said that I didn’t actually really enjoy some of the songs. The song “The Steamroom” which is sang along to the tune of loud exhalation (much like people actually do while relaxing inside steam rooms), is probably one of the sexiest songs I’ve heard in my life. Likewise, the song “Lonely Love Song” had enough heart in it to actually move me.
Then there were the really silly ones, like “The Bathhouse ABCs” which is mostly an attempt at throwing in stereotypical gay jokes; “Clickin’ for Dick,” a country song (and dance) about looking for action on grindr /scruff / tindr/ etc.; “Bear chaser” about a …. well, kind of self-explanatory; and “Penises are Like Snowflakes,” which talk about how different and unique every penis is!
The singing on this specific production was mostly good, although there were many parts where the voices of the actors could be polished. In my opinion, two of the supporting cast (David “the married guy” and Teddy “the party boy”) had the best voices and were able to hold on to their notes at different pitches. Billy the main character was good at times, but I felt his voice cracked much too often when he tried to sing higher than his voice allowed. Maurice, the love-interest and main supporting character, also had on and off times, while the fifth guy (whom I’ve learned is not part of the original script) had some great numbers, which probably worked mainly because the theatre is quite small.
Along with catchy tunes, no musical would ever be complete without some dancing. As a whole, the best choreography for this show was the country dancing along to “Clickin’ for Dick,” although I also liked the workout dance routine for “The Workout,” in which David sings about transforming from a “fat gay” to a “god” through constant exercise.
A number that could really have been much sexier than it was is “Seduction Tango,” in which Billy and Maurice performed a tango while they sang two versions of the same song: about their individual intentions with each other (Billy to fall in love with him, Maurice to have a one-night stand). I personally felt the tango could have been much spicier, and better executed.
Other parts of the choreography to me seemed just messy, not only in the execution, but the way the actors were expected to dance altogether. Not calling myself an expert theatre-goer, but I have gone to enough musicals (including multiple amateur shows like this, which I’d say were a step up) to know that jazz fingers are never cool, no matter how camp you want to make the routine!
After the show ended, the cast existed the stage and returned for an encore, which happened to be a medley of every song that formed part of the musical. While I do appreciate an encore, I found singing the whole thing again kinda took away from the experience and although it was a second laugh to sing the funny part of the songs again, I’m not so sure it was highly necessary (especially with over-the top camp added to the dancing, and costumes consisting of sequins-covered towels).
The show was camp and entertaining, and although not incredibly revolutionary, it was a good time. The show does rely heavily on stereotypical gay jokes, but if taken lightly, it’s possible to find a little bit of heart under all the rainbows.
Bathhouse: The Musical has been extended to run at Above the Stag Theatre until mid August, and I do recommend you go see it if you’re feeling a little gay and want an inappropriate laugh.
Check out http://www.abovethestag.com/ to buy tickets for this and other shows.
My Rating: 3½ stars
London’ s South Bank is host this summer to the Love Festival, a celebration of food, drink, theatre and, well, love. Perhaps the best part of the Love Festival (as far as I know, anyhow) is the London Wonderground, a side festival that celebrates the underbelly art of cabaret, burlesque and circus.
The London Wonderground grounds are made to resemble an old fair / amusement park, with old-style wooden bumper carts acting as two-seater chairs. Other patio chairs and tables and picnic tables offer additional seating, while higher table surfaces provide more gathering places for visitors standing up.
The grounds are enclosed by wooden walls, all of which are neatly decorated with old circus posters, and of course, there is a large bar on one of the walls, providing liquid refreshments to visitors (and pizza, in case you get the munchies after a beer or two!).
Yesterday I went with my work team to see the show Limbo at the London Wonderground, a jaw-dropping mix of circus and cabaret that is equal parts acrobatics, laughs, music and sensuality… with a bit extra sensuality added, just for kicks.
The stage for Limbo, which has an entrance from the main Wonderground fair grounds, resembles an old style circus tent. A circular stage in the middle of the tent is surrounded by arena seating, while the outskirt of the tent have booths, perfect for groups (that’s where we sat!). Despite the tent not being overly high, nor too big, the experience was just as incredible as any Cirque du Soleil show I’ve ever seen!
LIMBO The Show
The show started with a bang with an incredible music score that set the tone for the evening (quite literally, as the same song in different reincarnations kept seeping throughout the show. The second number went into a completely different direction, which to be honest had me ordering if the show would suck. Glad to announce, it didn’t!
Limbo included classical circus tricks reminiscent of old-time circuses, including a contortionist (who happens to be a man), a fire breather / sword swallower (who happens to be a girl), and heart-racing acrobatics that had me on the edge of my seat through most of the show. In between acrobatic numbers, the cast showed other talents such as playing instruments (including an accordion and a big wind instrument that I honestly can’t identify), tap dancing, singing, magic tricks, and even comedy.
The acrobatics, which at times defied what I would have imagined humans were capable of achieving with their bodies, were accompanied by an original score that is rhythmic and fun. Strong notes of electronics and club beats mixed in with hip-hop elements to create a sound that’s unique. The music was sometimes fitting – as in the number “watch me fall,” which accompanied a number in which an acrobat climbed up and down a large pole in the centre of the stage, purposefully falling from the top, before stopping himself); and sometimes simply silly and playful.
Limbo loosely followed a story in which a group of individuals are stuck in a sort of purgatory (or Limbo, perhaps), and aimlessly try to accomplish goals – whether it is a jail escape (with the most incredible hand-stands I’ve ever seen), or getting it on with someone they fancy (a comical break in which two people just can’t seem to get naked enough for it).
To put it all together, the show wasn’t purely acrobatics, but also had a strong element of cabaret to it, which gave it a more sensual edge (a bit reminiscent of Cirque du Soleil’s Zumanity in Las Vegas). The cast flirted with each other, with the spectators, and with inanimate objects (read: the fire breather virtually getting off by rubbing fire against her body); the acrobats are not only incredibly talented, but also quite beautiful (boys and girls alike); and the costumes are less, circus-leotard and more cabaret-chic. To please my gay readers, there is also an element of bisexuality to the show, which is quite sexy… but I won’t give much more away, as you should go see the show!
Limbo is in fact SO GOOD that this is its second year running in the London Wonderground, back due to popular demand. The show debited for the first time at last year’s Wonderground before embarking on an international tour… and if the show I watched is anything to go by, I would expect Limbo to go abroad again after this year’s stint in London is over!
The entrance to the Wonderground itself is free and is open seven days a week. Limbo is on every evening from Tuesday through Sunday until the 17th of August 2014, with additional matinée shows on weekends. Tickets start at £20 per person. Check out tickets for this and other shows at their website: