Fair warning: This post contains adult-themed material. But don’t worry, this is aPG13 blog after all, so “adult” advisories can be taken lightly. (Note: the show I am about to discuss IS intended for audiences 18+ years). Oh yes, and be warned, this post is gay. VERY gay.
So here it goes. I went to see Bathhouse: The Musical!, at a small theatre in Vauxhall, London. The show was put on by an amateur theatre production, but was originally created in Orlando nearly a decade ago. There were parts I enjoyed about the production, and while some parts of it could definitely be polished up, it was a good show over all.
The Theatre: Above the Stag Theatre
First of all I want to rave on about this small theatre a little, as I really liked it. The theatre, built under a railway arch in Vauxhall, an area in inner / southern London. Building businesses under railway arches is quite common in the UK, but for me, begin a foreigner, this still seems fascinating and quirky.
Above the Stag Theatre has a welcoming foyer / bar at the entrance, in which the theatre goers can enjoy drinks and conversation before and after the show, as well as on intermissions. As the place is quite small, it creates a cool, intimate atmosphere, that is great for interacting with others.
Decor is quite simplistic, mostly consisting of a few pieces of black and white furniture, with walls decorated with the posters of previous shows running at the theatre. The bar is quite well stocked (given the size of the venue).
The theatre portion itself, in a room adjacent, is small enough to tightly fit 60 seats, with a stage that is at the same level as the first row of seats. The theatre is small enough that it works well with the acoustics of the shows, projecting the sounds without much need for sound equipment. Being built under a railway arch, every so often it’s possible to hear a train transiting above the stage, but again, I found this more fascinating than distracting!
I’d definitely be up for visiting Above the Stag again.
Bathhouse: The Musical!
The musical is obviously a gay-themed musical, set nowhere else than in a gay bathhouse. Not being a personal huge fan of SIPV, I got to admit that I was a little skeptical about the premise of the show, but it was funny enough to enjoy – if you take it lightly, and come in with the expectation that the content in the musical will not change your life.
The set of the musical is very simple, mostly consisting of a backdrop of showers, two benches which were moved around pretty much for every scene to fit the needs of the choreography, and a few lockers. Costume-wise, apart from the beginning 2-minutes in which the main characters are introduced, most of the costumes consist of white towels in the first half of the show, and brightly coloured towels (with each of the five characters donning a colour), for the second half of the show. A last costume of incredibly gaudy sequins-covered towels were used after the show for the ‘encore.’ Oh yes, and let’s not forget a little bit of PG13 nudity added to the mix.
Without giving too much away, the musical follows Billy, a young boy who is discovering the bathhouse for the first time. He is looking to find the man of his dreams, but soon discovers that most of the goers are there for less permanent relationships. Through his time there, he gets to know a few of the characters, with special affection for Maurice, who isn’t really in an emotional place to be the man who Billy needs (insert plot twist). The other three characters help to move the story ahead, but are not crucial to the main storyline.
Being a musical, a large portion of Bathhouse consists of music. Many of the songs are downright silly, with enough composition to make them work, but lacking any sort of meaningful content. However, I’d be lying if I said that I didn’t actually really enjoy some of the songs. The song “The Steamroom” which is sang along to the tune of loud exhalation (much like people actually do while relaxing inside steam rooms), is probably one of the sexiest songs I’ve heard in my life. Likewise, the song “Lonely Love Song” had enough heart in it to actually move me.
Then there were the really silly ones, like “The Bathhouse ABCs” which is mostly an attempt at throwing in stereotypical gay jokes; “Clickin’ for Dick,” a country song (and dance) about looking for action on grindr /scruff / tindr/ etc.; “Bear chaser” about a …. well, kind of self-explanatory; and “Penises are Like Snowflakes,” which talk about how different and unique every penis is!
The singing on this specific production was mostly good, although there were many parts where the voices of the actors could be polished. In my opinion, two of the supporting cast (David “the married guy” and Teddy “the party boy”) had the best voices and were able to hold on to their notes at different pitches. Billy the main character was good at times, but I felt his voice cracked much too often when he tried to sing higher than his voice allowed. Maurice, the love-interest and main supporting character, also had on and off times, while the fifth guy (whom I’ve learned is not part of the original script) had some great numbers, which probably worked mainly because the theatre is quite small.
Along with catchy tunes, no musical would ever be complete without some dancing. As a whole, the best choreography for this show was the country dancing along to “Clickin’ for Dick,” although I also liked the workout dance routine for “The Workout,” in which David sings about transforming from a “fat gay” to a “god” through constant exercise.
A number that could really have been much sexier than it was is “Seduction Tango,” in which Billy and Maurice performed a tango while they sang two versions of the same song: about their individual intentions with each other (Billy to fall in love with him, Maurice to have a one-night stand). I personally felt the tango could have been much spicier, and better executed.
Other parts of the choreography to me seemed just messy, not only in the execution, but the way the actors were expected to dance altogether. Not calling myself an expert theatre-goer, but I have gone to enough musicals (including multiple amateur shows like this, which I’d say were a step up) to know that jazz fingers are never cool, no matter how camp you want to make the routine!
After the show ended, the cast existed the stage and returned for an encore, which happened to be a medley of every song that formed part of the musical. While I do appreciate an encore, I found singing the whole thing again kinda took away from the experience and although it was a second laugh to sing the funny part of the songs again, I’m not so sure it was highly necessary (especially with over-the top camp added to the dancing, and costumes consisting of sequins-covered towels).
The show was camp and entertaining, and although not incredibly revolutionary, it was a good time. The show does rely heavily on stereotypical gay jokes, but if taken lightly, it’s possible to find a little bit of heart under all the rainbows.
Bathhouse: The Musical has been extended to run at Above the Stag Theatre until mid August, and I do recommend you go see it if you’re feeling a little gay and want an inappropriate laugh.
Check out http://www.abovethestag.com/ to buy tickets for this and other shows.
My Rating: 3½ stars